Roseyard, Kent
Roseyard is a beautifully restored and renovated historic property near Eastry in Kent. It can accommodate 22 people in understated luxury. Accommodation consists of three separate buildings, all within metres of each other. There are 11 bedrooms (9 ensuite, 1 family bathroom), 2 kitchens, multiple living spaces, beautiful gardens and outside dining and an incredible pool house and gym.
Perfect for large family gatherings or corporate stays.
Perfect for large family gatherings or corporate stays.
MARIAN BOSWELL LANDSCAPE ARCHITECTS
Marian Boswall Landscape Architects is a leading design practice with a reputation for creating beautiful gardens, often in historic settings. Established in 2004, projects range from large trusts and estates open to the public, to park land developments and smaller private gardens.
The practice comprises of a small team of landscape architects and horticultural specialists led by Marian Boswall, working throughout the UK from their studio in Kent. They combine horticultural, visual design and project management expertise to provide a complete landscape design service, from conception through planning and tender, to construction and planting.
The practice comprises of a small team of landscape architects and horticultural specialists led by Marian Boswall, working throughout the UK from their studio in Kent. They combine horticultural, visual design and project management expertise to provide a complete landscape design service, from conception through planning and tender, to construction and planting.
WONDERSPHERE
Wondersphere is a multi-disciplinary creative offer which includes brand strategy, brand identity, graphic design, communications, interior design, packaging, digital and experiential. From strategy through to brand conception, design and implementation, they create unforgettable and enriching brand stories designed to add long term brand value.
They take satisfaction in seeing their work brought to life, engaging with and positively influencing the way that people think and feel about their clients’ brands.
They take satisfaction in seeing their work brought to life, engaging with and positively influencing the way that people think and feel about their clients’ brands.
FRETTE
As part of our bespoke service, we are proud to supply this most beautiful product to our clients.
Since 1860, Frette has endeavoured to produce linens and home furnishings of unparalleled quality.From its bases in Monza and Milan, Frette employs only the finest fibres and most skilled artisans to craft a range of products that have come to embody luxury, comfort and creativity across the globe. Known for chic, original designs and inimitable finish and feel, Frette bed linens can be found in many of the world’s most prestigious hotels, from Claridge’s to The Peninsula, as well as in the most discerning private homes, yachts and aircrafts.
Historically, Frette linens have been featured everywhere from the altar of St Peter’s Basilica to the dining car of the Orient Express, and more than 500 European royal families have slept beneath its sheets. Today, Frette can be found at distinguished retailers and over 1,000 luxury hospitality properties worldwide. With a heritage defined by craftsmanship and an outlook rooted in innovation, Frette will continue to dress the world’s most remarkable beds for generations to come.
Since 1860, Frette has endeavoured to produce linens and home furnishings of unparalleled quality.From its bases in Monza and Milan, Frette employs only the finest fibres and most skilled artisans to craft a range of products that have come to embody luxury, comfort and creativity across the globe. Known for chic, original designs and inimitable finish and feel, Frette bed linens can be found in many of the world’s most prestigious hotels, from Claridge’s to The Peninsula, as well as in the most discerning private homes, yachts and aircrafts.
Historically, Frette linens have been featured everywhere from the altar of St Peter’s Basilica to the dining car of the Orient Express, and more than 500 European royal families have slept beneath its sheets. Today, Frette can be found at distinguished retailers and over 1,000 luxury hospitality properties worldwide. With a heritage defined by craftsmanship and an outlook rooted in innovation, Frette will continue to dress the world’s most remarkable beds for generations to come.
INGO FINCKE GALLERY
Ingo Fincke is an independent, family-run art gallery owned by brother and sister duo, Ben Fincke and Kira Fincke.
Despite being a UK based gallery, they have many international clients and I have clients who have both bought their artworks and commissioned art from them to fit particular spaces.
We love their choice of artists, their fresh perspective and their wonderful talent for mixing art and making it work.
Located in the heart of SW11 in London - close to Clapham Junction on Battersea Rise - Kira will travel to Switzerland to see clients.
Regular exhibitions are held at the gallery throughout the year showcasing up and coming artists as well as established artists.
Ingo Fincke is an independent, family-run art gallery owned by brother and sister duo, Ben Fincke and Kira Fincke.
Despite being a UK based gallery, they have many international clients and I have clients who have both bought their artworks and commissioned art from them to fit particular spaces.
We love their choice of artists, their fresh perspective and their wonderful talent for mixing art and making it work.
Located in the heart of SW11 in London - close to Clapham Junction on Battersea Rise - Kira will travel to Switzerland to see clients.
Regular exhibitions are held at the gallery throughout the year showcasing up and coming artists as well as established artists.
MIRANDA BERROW CERAMICS
We absolutely love, love, love Miranda's ceramics. Below, please read her story:
The story of me ,
I had a very nomadic start . We were born in Canada, schooled in French in Quebec and Madrid, family holidays were in Europe and the Outer Hebredies.
As soon as I could I was off travelling . Eclectically gathering colours, smells, patterns and ideas. Stopping to live in Northern Italy for a good few years.
I applied to Bristol to study ceramics but instead I ended up at St Martins in London where I trained as a Fashion designer in the 1980’s, Punk and New Romantics, Vivian Westwood and Heaven. London was wild and unleashed after Italy.
We travelled with our young family and finally settled in West Dorset in the mid 1990’s.
I had done a dozen or so throwing classes when I woke very early one morning and browsing the “for Sale” pages of the Blackmore Vale Magazine I found a very special 30 year old kiln , a kick wheel and many pots of oxides and under glazes for an irresistible sum. I still use the kiln to this day and have since added a big brother version to fire larger quantities
I have taught myself most of what I know by making some sizeable mistakes from which I have learned a great deal, not to mention the ever flowing generosity of other potters who have freely offered me their insight and knowledge .
At the moment I work out of a charming old tack room in Symondsbury Manor Yard, I have my table top wheel on which I coil, I am surrounded by bisque fired work from slip casting in Stoke and shelves of work that I make in Sri Lanka
The story of me ,
I had a very nomadic start . We were born in Canada, schooled in French in Quebec and Madrid, family holidays were in Europe and the Outer Hebredies.
As soon as I could I was off travelling . Eclectically gathering colours, smells, patterns and ideas. Stopping to live in Northern Italy for a good few years.
I applied to Bristol to study ceramics but instead I ended up at St Martins in London where I trained as a Fashion designer in the 1980’s, Punk and New Romantics, Vivian Westwood and Heaven. London was wild and unleashed after Italy.
We travelled with our young family and finally settled in West Dorset in the mid 1990’s.
I had done a dozen or so throwing classes when I woke very early one morning and browsing the “for Sale” pages of the Blackmore Vale Magazine I found a very special 30 year old kiln , a kick wheel and many pots of oxides and under glazes for an irresistible sum. I still use the kiln to this day and have since added a big brother version to fire larger quantities
I have taught myself most of what I know by making some sizeable mistakes from which I have learned a great deal, not to mention the ever flowing generosity of other potters who have freely offered me their insight and knowledge .
At the moment I work out of a charming old tack room in Symondsbury Manor Yard, I have my table top wheel on which I coil, I am surrounded by bisque fired work from slip casting in Stoke and shelves of work that I make in Sri Lanka